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| Expositions individuelles |
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| 2009 |
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Quels seraient les meilleurs moyens de perfectionner l'éducation des femmes ?, Frac Bretagne, Ciac Centre international d'art contemporain, Pont-Aven |
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Reisen, Galerie Bugdahn & Kaimer, Düsseldorf, Allemagne |
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| | 2008 |
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A Wind of Revolution Blows, the Storm is on the Horizon, Chelsea Art Space, Londres |
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Mon abécédaire, Sleeper, Edimbourg, Royaume-Uni |
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Natural Education, Bast'art Contemporary, Bratislava, Slovaquie |
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| | 2006 |
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La forme-valeur II, AKAU inc., Toronto, Canada |
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| | 2005 |
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La forme-valeur, Galerie du Cloître, ERBA, Rennes |
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Ma Nana et autres filles, Atelier de Marcel Dinahet, Rennes |
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Mes fils, DomoBaal Contemporary Art, Londres |
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| | 2004 |
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Cela aura déjà eu lieu, Centre d'art contemporain, Morsang-sur-Orge |
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Flair, Bartlet School of Architecture, University College, Londres |
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| | 2003 |
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L'autre corps, Galerie Bugdahn & Kaimer, Düsseldorf, Allemagne |
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| | 2002 |
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Le bonheur des femmes, Centre Culturel, Ploufragan ; Hôtel de Ville, Guingamp |
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| | 2001 |
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Le bonheur des femmes, Galerie La Centrale, Montréal, Canada et Le Triangle, Rennes |
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| | 2000 |
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A View from a Distance, Harewood House, Leeds, Royaume-Uni |
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Le bonheur des femmes, Portfolio, Edimbourg, and Galerie VU, Québec, Canada (Manifestation : Biennale internationale d'art contemporain) |
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Mes Péripatéticiennes, The Economist Building, Contemporary Arts Society projects, Londres |
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| | 1999 |
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Wigmore Fine Art, Londres |
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La valeur d'échange, Centre d'art contemporain, Rueil-Malmaison |
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| Expositions collectives |
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| 2009 |
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Time is a Sausage, Domo Baal Gallery, Londres |
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| | 2008 |
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Parallax, Fieldgate Gallery, Londres |
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| | 2007 |
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Pages, in Special Collections, University of Leeds, Royaume-Uni |
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Textual Healing, The Embassy, Edimbourg |
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| | 2006-2007 |
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Galerie Bugdahn & Kaimer, ArtBrussels, Belgique |
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Sitting Room, an exhibition of contemporary artists' book, curated by Tom Sowden and Lucy May Schofield, Manchester Metropolitan Gallery, Manchester, Royaume-Uni |
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| | 2005 |
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Galerie Bugdahn & Kaimer, Paris Photo, Paris |
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Diderot, Danielle Arnaud Gallery, Londres |
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Erratum, SYMPRA, Stuttgart, Allemagne |
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Focused listening, in 'Contact', Le Lieu Unique, Nantes |
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In Arcadia, touring exhibition of artists' books |
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Sommergästen, Galerie Bugdahn und Kaimer, Düsseldorf, Allemagne |
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| | 2003 |
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A Reader, domoBaal contemporary art, Londres, avec Lucy Harrison, Nina Papaconstantinou |
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Nature and Nation, Hastings Museum and Art Gallery, and tour |
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Twenty four hours, The International 3 (aka The Annual Programme), Manchester, Royaume-Uni |
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| | 2001 |
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Centième, Editions Filigranes, Salon Paris Photo, Paris |
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| | 2000 |
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Jeux d'Amour, curators: Hybrid, Battersea Arts Centre and Wigmore Fine Art, Londres |
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Loving at Home II, EdviksKonst och Kultur, Stockholm, Suède |
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| | 1999 |
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Alliance Française, Lodz, Pologne |
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Flop, The French Institute, Edimbourg, Royaume-Uni |
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Loving at Home, Centre for Freudian Research and Analysis, Londres |
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Passion, Gasworks, Londres |
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The Equinox, Cairn Gallery, Nailsworth, Royaume-Uni |
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Acquisitions, collections publiques |
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| Collections publiques et privées |
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The Arts Council of Great Britain |
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The Contemporary Arts Society |
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The Usher Art Gallery, Lincoln |
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| Livres d'artistes |
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| 2008 |
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A wind of revolution blows, the storm is on the horizon, Fashion : a glossary terms by Esther Leslie, illustrated by Sharon Kivland, Chelsea space, Londres |
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An Agent of the Estate, Information as Material editions, York |
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| | 2007 |
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Freud on Holiday, A Disturbance of Memory. Volume II, Information as material editions, York, Royaume-Uni ; CubeArtEditions, Athènes, Grèce |
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L'esprit d'escalier, Information as Material editions, York |
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| | 2006 |
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La forme valeur, Domo Baal editions, Londres |
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| | 2005 |
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Freud on Holiday, Freud dreams of Rome. Volume I, Information as Material editions, York |
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| | 2004 |
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Flair, Domo Baal editions, Londres |
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Parisiennes, avec Jeannie Lucas, Jean-Pierre Faur Editeur, Paris |
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| | 2003 |
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A reader, avec Lucy Harrison et Nina Papaconstantinou, Domo Baal editions, Londres |
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William Markwick, The property of a Gentleman 1768-1770 Volume I, edited by Sharon Kivland, Hastings Museum and Art Gallery |
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| | 2002 |
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Le bonheur des femmes, Filigranes éditions, Trézélan |
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| | 1997 |
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Fascinum, avec Shelagh Wakely et Michelle Naismith |
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| Catalogues individuels et monographies |
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| 2005 |
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Cela aura déjà eu lieu, Château de Morsang-sur-Orge, Morsang-sur-Orge |
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| | 1999 |
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La Valeur d'Echange, texte de Jean-Marc Huitorel, Centre d'art contemporain de Rueil-Malmaison |
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| | 1994 |
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Aphonia, Textes de Jean-Marc Huitorel, Christian Gattinoni, Sharon Kivland, Centre d'art contemporain de Saint-Fons |
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| | 1993 |
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Reading in the Dark, Textes de Renée Baert, Forbes Morlock, Bruce Russell, avec Cheryl Sourkes, Cambridge Darkroom |
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| | 1992 |
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A Bout de Souffle, Textes de Sharon Kivland and Claire Paquet, Dazibao, Montréal |
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| | 1991 |
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L'une sans l'autre, Texte de Sharon Kivland, Les Ateliers Nadar, Marseille |
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The Fire of Tongues, Textes de Charles Barber, Wendy Dawe, Julie Harboe, Ben Hillwood-Harris, Conrad Leyser, Ikon Gallery |
|
| | 1990 |
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The Forms of Construction/The Abandonment of Origins, avec Ben Hillwood-Harris, Stoke City Art Gallery ; Museum/Mappin Art Gallery, Textes des artistes et de Michael Tooby |
|
| | 1989 |
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The Remains of Intention, Textes des artistes et de Alison MacLeod, Watermans Arts Centre |
|
| | 1987 |
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A Trouble Shared, Kate MacFarlane, Riverside Studios, Londres |
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The Conversion of Pleasure into Sickness, Marc Chaimowicz, Hilary Gresty, Kettle's Yard, Cambridge |
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| |
| Catalogues collectifs |
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| 2004 |
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Nation and Nature: Vaster than Empires, Londres et Hastings |
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| | 2000 |
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La trahison d'image, Café Crème, Luxembourg |
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RDM10, La Bibliotheque Nationale, Paris, curated par Roberto Martinez |
|
| | 1998 |
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Body and Photography, Prague House of Photography, edited by Martina Pachmanová |
|
| | 1996 |
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Clio, limited edition multiple, Serpens Foundation, Prague |
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Dialect, Texte de Neil Beggs, Andrew Hubbard, Rome |
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DuSoMacLalanKiPonBruHu, Centre d'art contemporain de Saint-Fons |
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Last Out, Lights Out, limited edition multiple, Stephen Cornell |
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Mauvais genre, Texte de Jean-Marc Huitorel, Mois de la Photo, Reims |
|
| | 1995 |
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Desiring Practices, Black Dog Publications |
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In Vino Veritas, limited edition multiple, The British School at Rome |
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Wellspring, Bath Arts Festival, Antonia Payne, artistes |
|
| | 1993 |
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En Scene, W139, Amsterdam, collection de textes et d'images par 25 artistes |
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Public/Private: Secrets must circulate, Alain Reinaudo, Stills Gallery /Institute Francais, Edimbourg, Textes de Christine Buci-Glucksman, David Hopkinson, Hilary Gresty |
|
| | 1992 |
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Inédits de Séjour, IAPIF, Régis Durand, Paris |
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Rose, Wise/Taylor Partnership, Londres |
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Summer Lightning, Wise/Taylor Partnership, Londres, textes et images des artistes |
|
| | 1991 |
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Corriger les Lieux, après la photographie de voyage, Editions Trois, Montréal |
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The Centre of the World, Textes de Charles Barber, Stephen Foster, Sharon Kivland, John Hansard Gallery |
|
| | 1990 |
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Artists at the British School at Rome, 1980-90, Londres |
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Next Phase, Ian Jeffries, Wise/Taylor Partnership, Londres |
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The British School at Rome: Mostra, Catherine Lampert, Rome |
|
| | 1989 |
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Anima Mundi, Martha Langford, Canadian Museum of Contemporary Photography |
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It's a Still-Life, Isobel Johnstone, Roger Malpert, South Bank Centre, Londres |
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Metamorphosis of the Image, John Stathatos, Biennale de la Photographie, Athènes |
|
| | 1988 |
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The Consumption of Elements, Chisenhale Gallery, Londres |
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The Subversive Stitch, Pennina Barnett, Cornerhouse, Manchester |
|
| | 1987 |
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TWSA/3D, Richard Cork, James Lingwood, Londres |
|
| | 1986 |
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New British Sculpture, Iwona Blaswick, Air gallery, Londres |
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Objects as Art, Susan Butler, Rosy Greenlees, Plymouth Ars Centre |
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The Illuminations, Sharon Kivland et des artistes, Camerawork, Londres |
|
| | 1985 |
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Revisions, Pavel Büchler, Cambridge Darkroom |
|
| | 1982 |
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Houses and Homes, Lewis Biggs, Paul Graham, Arnolfini Gallery |
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Strategies, Rupert Martin, The British Council |
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Summer Show III, Richard Francis, Serpentine Gallery, Londres |
|
| | 1980 |
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Photography as Medium, Teresa Gleadowe, The British Council |
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| |
| Articles de presse, de revue |
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| 2006 |
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Capital and Pedestal, Gary Dault, in Toronto Globe & Mail, mars |
|
| | 2005 |
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Mother Tongue, Jaspar Joseph-Lester, in The Internationaller |
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Questions on post-feminism in the work of Sharon Kivland, Christian Gattinoni, in www.exporevue.com |
|
| | 2000 |
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Flop, Susanna Beaumont, in The List, 7 - 20 Jan |
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The Scent of a Woman , Between Flesh and Breath, Jane Rendell, in Portfolio Issue 31 |
|
| | 1999 |
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Rites de Passage, Christian Gattinoni, in Arts Croisés, n.11, April |
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Sharon Kivland , A Case of Hysteria, Hugh Stoddart, in Contemporary Visual Arts, December |
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Sharon Kivland , A Case of Hysteria, Cathy Courtney, in Art Monthly, July |
|
| | 1998-1999 |
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A Painted Picture which never captures the subject, Sharon Kivland / Jeanne Randolph, Tessera- seductive feminisms, vol.25, winter |
|
| | 1998 |
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Critical Interventions: Evil, Dave Burrows, in Art Monthly, June |
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Sharon Kivland, Veronika Zavretovà, in Prague Post, June |
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Sinthome, Cathy Courtney, in Art Monthly, September |
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The School for Lovers, Timothy Martin, in Portfolio, November |
|
| | 1997 |
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Artists as Curators, Claire Doherty, in Artists Newsletter, March |
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Des Femmes at de la Propriété, Sylvie Friedman, in Le Trégor, juillet |
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Sharon Kivland, Mes Folies, Jean-Marc Huitorel, in Art Press, novembre |
|
| | 1996 |
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Dialect, Augusto Pieroni, in Artel 47, June |
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La Passante, Cathy Courtney, in Art Monthly, January |
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Letters of the Blind, Aoife MacNamara, in Parachute, April |
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Mauvais Genre, Dominique Baqué, in Art Press, juillet |
|
| | 1995 |
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La Passante, Tim Anstey, in The Architectural Review, October |
|
| | 1994 |
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Aphonia, Lise Guéhenneux, in Blocnotes, mai |
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Je sais bien, Caryn Faure Walker, in Art Monthly, June |
|
| | 1993 |
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Jeu d'esprit, Rene Van Peer, Eindhoven, September |
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L'attente...l'oubli, John Stathatos, in Untitled, Summer |
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Summer Lightning, Renée Baert, in Parachute, February |
|
| | 1992 |
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Cartes de Séjour, Lise Guéhenneux, in Revolution, 14 mai |
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Inédits de Séjour, Ami Barak, in Art Press, juin |
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Inédits de Séjour, Michael Guilloux, in L'Humanité, 13 mai |
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L'art fait halte en banlieue, Elisabeth Lebovici, in Libération, 26 mai |
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Reading the glass, Cathy Courtney, in Art Monthly, September |
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Rose, Sacha Craddock, in The Guardian, January |
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Rose, in Building Design, February |
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Sharon Kivland : Field of Dreams, Michael Archer, in Art Monthly, April |
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Summer Lightning, Ami Barak, in Art Press, novembre |
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Summer Lightning, Sarah Kent, in Time Out, July |
|
| | 1991 |
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Anima Mundi, Elizabeth Beauchamp, in Edmonton journal, October |
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Corriger les lieux, Sylvain Campeau, in Parachute, November |
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L'une sans l'autre, Angelique Schaller, in La Marseillaise, novembre |
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Sharon Kivland : The Fire of Tongues, Robert Burstow, in Perspektief, October |
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Sharon Kivland : The Fire of Tongues, Ivan Gaskell, in Creative Camera, June |
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Sharon Kivland : The Fire of Tongues, Ann Cullis, in Women Artists Magazine, May |
|
| | 1990 |
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Anima Mundi, Andrea Kunard, in ETC, Montreal |
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Next Phase, David Lillington, in Time Out, June |
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Sharon Kivland : Je me souviens, Lorenzo Buj, in Parachute, July |
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Sharon Kivland : The blind daughter, Rose Jennings, in City Limits, January |
|
| | 1989 |
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Art, Queen, and Country, Jonathan Watkins, in Art International, Spring |
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Sharon Kivland : The consumption of elements, Caryn Faure Walker, in Artscribe International, February |
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The Remains of Intention, Mark Currah, in City Limits, April |
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The Remains of Intention, Emmanuel Cooper, in Time Out, April |
|
| | 1988 |
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Sharon Kivland : Artist as Curator, Jonathan Watkins, in Art Monthly, December |
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Brizard
22490 Plouer-sur-Rance
Tél. : 02 96 86 86 30
web : http://www.sharonkivland.com/
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| Galeries |
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| Écoles, formations |
| 2002 |
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Doctorat : History of Art Department, University of Reading |
|
| | 1995 |
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Masters : History of Art, Goldsmiths College, University of London |
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| |
| Autres activités professionnelles |
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Researcher, Centre for Freudian Analysis and Research, Londres |
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Reader in Fine Art, School of Cultural Studies, Sheffield Hallam University, Royaume-Uni |
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Visiting Fellow, Institute of Germanic and Romance Studies, University of London |
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