A numbered edition of 100, 25 with with an attractive photograph, on which the artist has more or less carefully painted the lipsticked mouth of the image with watercolours, while considering that while 'le rouge baiser permet le baiser' (the red kiss allows kissing), it also permits caressing, screwing around, adultery and fucking.
Chapbook with 24 folded pages, stapled, 15×10.5cm, 16 black and white photographs

The fifty-six letters and hundred and eighty-nine postcards of his travel correspondence with his family between 1895 and 1923 reveal his enjoyment of these holidays, his pleasure in his liberty, in getting a bargain, in the blue skies and the southern warmth, in the beauty of the landscape, in wine and food. From this correspondence descriptions of what he ate and drank (and the state of his digestion) have been collected.

ISBN 978-1-907468-09-4

Almost every year Sigmund Freud went on holiday, often accompanied by his brother Alexander, an expert on railway transport, timetables, and travel tariffs. He made a distinction between the holidays he spent with his family during the month of August and those voyages he took later, most often in September, with complicated itineraries. Freud prepared carefully for his trips, consulting tourist guides and other travel literature concerning the places he intended to visit attentively, especially those of the sites of classical antiquity, and of course, the famous Baedeker. The fifty-six letters and hundred and eighty-nine postcards of his travel correspondence with his family between 1895 and 1923 reveal his enjoyment of these holidays, his pleasure in his liberty, in getting a bargain, in the blue skies and the southern warmth, in the beauty of the landscape, in wine and food. From this correspondence descriptions of the weather have been collected.

Freud on Holiday volume III. The Forgetting of a Proper Name
Co-published by Cube Art Editions, Athens, and information as material, York, 2011
Edition of 500
Designed by Christos Lialios
Greek translation by Eleanna Panagou
ISBN 978-960-99662-3-8 (Greece)
ISBN 978-1-907468-06-3 (UK)

The third volume in the series Freud on Holiday describes a number of holiday possibilities, the problem of deciding where to go and when, the matters of cost and convenience, of appropriate companions and correct context. There are descriptions of train itineraries, of hotel rooms and restaurant menus, but the name of one restaurant resists recall for most of the book. There is a surprising connection with hysteria and another name is forgotten en route, accomanied by an embarrassing error in chronology. At last, forgotten names are remembered, although an image that has been talked away is not seen again.

Published by information as material, York, 2011
ISBN 978-1-907468-07-01
20 pages
stapled
2 black and white photographic illustrations
150 x 105 mm
PRICE : £5
Reisen II is the second in a series of occasional pamphlets, which refer to the trains,
train journeys, railway-lines, stations, station platforms, railway timetables, ticket collectors, and train compartments in the life and work of Sigmund Freud. This modest booklet contains details of some of the train journeys of Freud’s holidays, gleaned from his correspondence home, with reference to contemporary editions of Cook’s Continental Time Tables, Tourist’s Handbook and Steamship Tables, supplemented by consultation of the European rail timetables of the present day

La mer est si bleue
DomoBaal Editions, 2011
Edition of 100, published at the kind invitation of AM Bruno on the occasion of the London Art Book Fair
ISBN 987-1-905957-11-8
24 pages
stapled
255 x 200 mm
12 black and white photographic illustrations
PRICE: £10 or 12 euros
Hello from Stella beach where I am spending a nice holiday, despite the bad weather.
Best wishes,
Marie-Claire

La galerie de l'IUFM de Bretagne présente une exposition personnelle de David Zérah, artiste français, vivant à Rennes. À cette occasion, il expose un ensemble de photographies réalisées l'année dernière pendant sa résidence à Barrhead en écosse sur une invitation de la commissaire Patricia Fleming. Le titre de l'exposition 'The Music of Chance' (la musique du hasard) est emprunté au roman de l'écrivain américain Paul Auster. Jeux visuels, rencontres fortuites, décalages et rêverie constituent le vocabulaire de la pratique artistique de David Zérah.